She holds a degree in Classical Philology from the University of Santiago de Compostela and a Master’s degree in Research in Theatre Studies from the Autonomous University of Barcelona.<\/p>\n
On a theoretical level she has actively participated and attended performing arts congresses and was part of the International Congress for Young Researchers on Theatre Studies in 2018. It has a theoretical-practical line of research that starts from the premise of dance theatre as a tool for self-discovery.<\/p>\n
She started doing theatre when she was very young and throughout her life she will go through different disciplines and schools of performing arts and dance, highlighting the Escuela Integral del Creador Esc\u00e9nico Vladimir Tzekov.<\/em> in Granada and A Art\u00edstica<\/em> Vigo with Olga Cameselle. She trained in an alternative way and attended several dance festivals such as<\/span> Herdanza<\/em> in Santiago de Compostela (2017), or monographic workshops with people such as Janusz Subicz in Barcelona (2016). She participated in the staging of the play Dancers <\/strong><\/em>by Sonia G\u00f3mez, at the Festival Corpo a Terra<\/em> in Ourense (2017), as well as attending the festival’s dance workshops. She is constantly training in movement disciplines.<\/p>\n She collaborated as a dancer in the video clip Charleston<\/strong><\/em> from Alley Stompers (2016) as well as in the single Doce Badaladas<\/strong><\/em>, from Al\u00eam (2021), in addition to her participation as a model in exhibition of photography What do you<\/strong><\/em> see? by Erdie J.(2015).<\/p>\n At a sociopolitical level, she presents demonstrations through art by way of collaborations with various projects, among which are the action group As ghatas salvaxes<\/em> and the Colectivo Espazo Corpo<\/strong>.<\/p>\n She made her start in micro-theatre with the micro-piece No derradeiro minuto<\/strong><\/em> (Santiago de Compostela, 2010) which will be followed by the dramatic monologue El d\u00eda despu\u00e9s<\/strong><\/em>(Granada, 2014). In 2012, she received a grant from the USC for the production of Nefelococigia: a cidade das nubes e dos cucos<\/strong><\/em> (Santiago, 2012) within the framework of the university theatre.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default”][vc_column_text]\n Her first poetic musical project is A maz\u00e1 de Rosal\u00eda<\/strong><\/em> (Vigo, 2016) with the guitarist David J\u00e1come. She worked with Rui Grenha in two poetic concerts “bic in progre[s]”<\/strong><\/em> (Barcelona, 2017), in which the double bass player Alexandre Touceda collaborated; and hacialaluz<\/strong> <\/em>(Vigo, 2019), with the publication of both poetry books and the recording of an album in which he had the collaboration of Rub\u00e9n Fern\u00e1ndez (vocals), Ricardo D\u00edaz (double bass), Javier Pereiro “Gdjazz” (trumpet) and Xis Tr\u00edo.<\/p>\n She makes literature as a means of expressing emotions and social criticism. She combines poetry and stage, navigating through hybrid genres, with performances such as Poes\u00eda performativa<\/strong><\/em> (Vigo, 2017), V\u00edsceras Po\u00e9ticas<\/strong><\/em> (Mand\u00edn, 2021) or Vol\u00e1til<\/strong><\/em>(Cari\u00f1o, 2022).<\/p>\n She was recently awarded <\/strong> with the dance micro-theatre piece Mon\u00f3logo para corpo en movemento<\/strong><\/em>in the Festival FIOT (Carballo, 2020), for her micro-tale Manaus<\/strong><\/em> in the contest against gender violence (Ribadavia, 2020) and for her calligraphic poem Bromio<\/strong><\/em>in the I Calligram Competition Constanza de Castro (Cospeito, 2021). She is about to publish her first novel: Sem grana e sem frescura<\/strong><\/em> which was mostly written under the cover of the Zona C 2022 literary residencies organised by the Auditorio de Galicia in the Concello de Compostela. Author of the poetry books b\/i\/c\/m.o.r.d.i.d.o<\/strong><\/em> (2017, Ed. Carena) and Hacia la luz: poes\u00eda, sonido, imagen<\/strong><\/em>(2019, Ed. La F\u00e1brica de libros), and DSM o Disfraz de tigre<\/strong><\/em> (2022, Ed. La F\u00e1brica de libros), as well as a self-published fanzine called Un fanzine po\u00e9tico<\/strong><\/em>.<\/p>\n She participated in poetry festivals such as Keruac<\/em> (2018) or the Festival Nun Local<\/em> (2018) with poetic interventions, as well as various events such as slams, recitals, vocal improvisation jams, etc. She was part of the project Sinerxias: Performance colectiva de improvisaci\u00f3n art\u00edstica<\/em>.<\/p>\n She was subsidised by the AGADIC in 2021 for the production of the contemporary theatre play Lara Hierro<\/strong><\/em> (Rianxo, 2022), of which she is the author, director, producer and performer.<\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#000000″ scene_position=”center” bottom_padding=”40PX” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”butoncentre”]\n